Blind auditions?
The gendered effect of the “screen” when hiring orchestral instrumentalists
- By Hyacinthe Ravet,
- Reguina Hatzipetrou-Andronikou,
- Audrey Etienne,
- et al.
In Travail, genre et sociétés (2025/1 n° 53)
Debate
In Travail, genre et sociétés (2025/1 n° 53)
Introduction
- By Fanny Gallot,
- Clotilde Lemarchant,
- Sophie Pochic
- et al.
In Travail, genre et sociétés (2024/2 No 52)
Can the art be separated from the artist?
In Travail, genre et sociétés (2023/2 No 50)
Margaret Maruani, Work under the scrutiny of feminism
- Remarks collected by Jacqueline Laufer,
- Hyacinthe Ravet
In Travail, genre et sociétés (2021/2 No 46)
Creation through cooperation. The orchestra, situated between negotiated authority and shared creativity
In Négociations (2019/2 No 32)
Female Conductors: Eternal Pioneers
- By Hyacinthe Ravet,
- Translated by Hélène Tronc
In Travail, genre et sociétés (2016/1 No 35)
Michèle Reverdy, A Composer No Matter What
- By Raphaëlle Legrand,
- Interviewed by Hyacinthe Ravet
In Travail, genre et sociétés (2015/2 No 34)
Anne Sylvestre, a Witch Like Others
Interview Conducted by Cécile Prévost-Thomas and Hyacinthe Ravet
In Travail, genre et sociétés (2010/1 No 23)
Tradition and Change in China
In Travail, genre et sociétés (2010/1 No 23)
Women, Arts, and Culture
Artistic Barriers, Gender Barriers
In Travail, genre et sociétés (2008/1 No 19)
Becoming a Clarinetist
Feminine Careers in a Masculine Environment
In Actes de la recherche en sciences sociales (2007/3 No 168)
“Love One Another or Perish. ..”
On a Current Experience in the French Song
In Sociétés (2004/3 No 85)