Christine LuciaThe Times Do Not Permit: The Musical Life of Michael Moseu Moerane Johannesburg, Wits University Press, 2024, 304 pages
In Politique africaine (2025/2-3 n° 178-179)
Xabier Itçaina, La société du tambourin, une histoire sociale de la musique à danser en Pays Basque
In Volume ! (2023/1 20:1)
FOURIE (Paula). Mr Entertainment: The Story of Taliep Petersen Midrand (Afrique du Sud), Lapa Publishers, 2022, 382 pages
In Politique africaine (2023/1 No 169)
Chloé Buire, Citadins-citoyens au Cap. Espace et justice après l’apartheid
In L'Homme (2020/2 No 234-235)
About Gérôme Guibert and Catherine Rudent (eds.), Made in France, Studies in Popular Music
In Volume ! (2019/2 16:1)
Christopher Ballantine, Michael Chapman, Kira Erwin & Gerhard Maré, eds. Living Together, Living Apart? Social Cohesion in a Future South Africa
Pietermaritzburg: University of KwaZulu-Natal Press, 2017, 197 p.
In L'Homme (2018/2 No 226)
No Answer from the General...
Song, Video Clip and Uncertainty: Young Afrikaners and the “New” South Africa
In L'Homme (2015/3 No 215)
Beware, a Music Can Hide Another
Appropration, A & Ω of Creation
In Volume ! (2014/1 10:2)
“By my fair one's side...”, music and identity
- By Denis-Constant Martin,
- Translated from French by Claire Morel
In Revue française de science politique (2012/1 Vol. 62)
The White Lady, the Uncircumcised Man, and the Black Diamonds: The Resurgence of Racial Discourse in South Africa
In Critique internationale (2011/2 No 51)
Gregory Walker and the Signifyin’ Monkey
Musical Creation and Creolization in the Face of the Nonexistence and Reality of the Concept of “Black Music”
In Volume ! (2011/1 8:1)
Amandine Regamey. Prolétaires de tous pays, excusez-moi!, Dérision et politique dans le monde soviétique, Paris, Buchet-Chastel, 2007, 238 pages
In Critique internationale (2008/4 No 41)
Our Kind of Jazz: Music and Identity in South Africa
In Critique internationale (2008/1 No 38)
Le myosotis, et puis la rose . . .
For a Sociology of Mass Music
In L'Homme (2006/1 No 177-178)
Blend Sounds to Reinvent the World
World Music, Sociology, and Musical Analysis
- By Simha Arom
- and Denis-Constant Martin
In L'Homme (2006/1 No 177-178)
The Cape, or the Unequal Sharing of South African "Creolity"
In Cahiers d’études africaines (2002/4 No 168)
The Chariot of Hope
Humanization and Self-Awareness in a Negro Spiritual
In L'Homme (2002/1 No 161)
A Storm Bawls on Los Angeles: Racism and Musical Invention in California in the 1940s
In Revue française d’études américaines (2001/5 Special Issue)
From an Excursion to Harlem to a Debate on “Blacks”
The Missing Fields in French Jazzology
In L'Homme (2001/2 No 158-159)
