From rock criticism to the “battle of ideas”. The transfers of authority of Les Inrockuptibles, 1995-2005
In Le Temps des médias (2024/1 n° 42)
Netflix during lockdown: From economic hegemony to “cultural hegemony"?
In Communication & langages (2023/4 No 218)
Guillaume Heuguet, YouTube et les métamorphoses de la musique
In Volume ! (2022/2 19:2)
Platform, to platformise, platformisation: the peril of words that obscure what they name
In Questions de communication (2021/2 No 40)
Netflix and French film and audiovisual professionals: Toward an “entente cordiale”
- By Vincent Bullich
- and Laurie Schmitt
In Nectart (2022/2 N° 15)
Production of data, “production of society.” Big data and algorithms in relation to the information and communication sciences
- By Vincent Bullich
- and Viviane Clavier
In Enjeux de l'info. et de la communication (2018/2 No 19/2)
The grandeur and decadence of “predictive publishing”
A retrospective on the failed integration of a “predictive machine” at a publishing house
In Réseaux (2018/5 No 211)
Music on the airwaves & music under law: Broadcasting music in the United States and copyright
In Le Temps des médias (2018/1 No 30)
Médias, culture et numérique: Approches socioéconomiques
Gérôme Guibert, Franck Rébillard, and Fabrice Rochelandet (Paris: Armand Colin, “Cursus” series, 2016), 237 p.
In Communication & langages (2017/2 No 192)
John Seabrook, Hits ! Enquête sur la fabrique des tubes planétaires
In Volume ! (2017/2 14:1)
Copyright with Respect to the Theory of Cultural Industries
In Enjeux de l'info. et de la communication (2011/1 Volume 2011)
From Covers to Original Compositions
Changes in Communicational Action Standards in American Popular Music
In Volume ! (2010/2 7:2)