About
Marta Amico is a lecturer in ethnomusicology at Rennes 2 University, and a researcher with the "Arts: pratiques et poétiques" research unit and the Georg Simmel Center (EHESS/CNRS).
Latest publication
From the Senegalese Lebu Ritual to the Rennes Scene. Ethnography of the Cultural, Musical and Technical Negociations of the Ndox Électrique Project
- By Marta Amico,
- Lila Avez,
- Ewan Bodin,
- Mélina Buisson,
- Guillaume Cibron,
- Sébastien Lecouty,
- Suzanne Medoc-Rosenfeld,
- Lume Nauleau
- and Julia Paquet
In Volume ! (2024/1-2 21:1-2)
Most viewed articles
Rebel musicians or musicians for peace? Orchestrating Mali through musical performances of the conflict
- By Marta Amico
In Politique africaine (2018/1 No 149)
From the Senegalese Lebu Ritual to the Rennes Scene. Ethnography of the Cultural, Musical and Technical Negociations of the Ndox Électrique Project
- By Marta Amico,
- Lila Avez,
- Ewan Bodin,
- et al.
In Volume ! (2024/1-2 21:1-2)
The making of Tuareg music: Comparative analysis, from the Sahara desert to the world music
- By Marta Amico
In L'Homme (2018/3 No 227-228)
Co-authors
Articles
From the Senegalese Lebu Ritual to the Rennes Scene. Ethnography of the Cultural, Musical and Technical Negociations of the Ndox Électrique Project
- By Marta Amico,
- Lila Avez,
- Ewan Bodin,
- et al.
In Volume ! (2024/1-2 21:1-2)
Finding common ground for ethnomusicology and popular music studies
- By Marta Amico
- and Emmanuel Parent
In Volume ! (2022/2 19:2)
The making of Tuareg music: Comparative analysis, from the Sahara desert to the world music
In L'Homme (2018/3 No 227-228)
Rebel musicians or musicians for peace? Orchestrating Mali through musical performances of the conflict
In Politique africaine (2018/1 No 149)
De Jorio, Rosa. — Cultural Heritage in Mali in the Neoliberal Era
In Cahiers d’études africaines (2017/3 No 227)
Tuareg Resistance through the Lens of World Music
In Cahiers d’études africaines (2016/4 No 224)
Migrating Countercurrent
The Example of European Cultural Residents in West Africa
- By Marta Amico
- and Altaïr Despres
In Cahiers d’études africaines (2016/1 No 221)